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With software deployed on a dual-core Intel MacBook Pro toting 4GB RAM, and the library accessible via eSATA from a Western Digital Caviar Black drive using the laptop’s Expresscard 34 slot, multiple patches loaded into the standalone configuration do not trouble the system. So, for example, Western Digital Caviar Green drives are out. The System drive is no place for The Dark Side’s vast sample library and neither is an external drive with power-saving functionality. You may also need to budget for a high-performance external hard drive.
#Volumemixer appked plus#
On the plus side, if you've already bought a copy of The Dark Side, an additional licence costs only €83.24 - a special offer with no closing date quoted as yet on the SoundsOnline website. Each library has a licence that’s hosted on an iLok USB dongle, version 2 of which handles 500 licenses, but costs about £35 a throw and you’ll need an iLok for each machine if you’re planning on syncing multiple instruments.
On the subject of moolah, there’s not just the product price to consider. For further details, Europeans click here and citizens of the USA and the rest of the world click your way here. Want some money-saving advice? Sign up to SoundsOnline’s email newsletter for notification of special offers. There are also discounts to be had when buying additional licences for products you already own and wish to run simultaneously on additional computers. Quality movie-soundtrack stuff, then, and this is reflected in each product's price, although it seems like every week a special offer arrives in my emailbox promising huge discounts on wedges of EW/QL’s product lines. Incidentally, if you’re wondering, Quantum Leap is a division of EastWest set up by Doug in partnership with composer/producer Nick Phoenix and appears to lean more towards high-end sample libraries and the kind of virtual instruments used to score such blockbusters as Harry Potter, Lord of the Rings and Pirates of the Caribbean.
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When you buy one of the above, typically from the US and Europe-based internet retailer SoundsOnline, it’s bundled with a license for the PLAY engine that drives them all, and a whacking great load of samples upon which each interface draws. , Ministry of Rock and Voices of Passion. The Dark Side sits alongside such titles as Fab Four, another MIPA Award-winning product, plus Quantum Leap’s Goliath, Gypsy
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Before we get onto the sounds and examine how an entire track can be built from a single instance of this Windows and OS X-compatible, 32/64-bit standalone or VST/AU/RTAS plugin instrument, let’s look at the underlying architecture.Īs with a number of EastWest offerings, at the core lies PLAY, a software engine that draws upon themed sample libraries and presents them for manipulation via whichever interface is appropriate to the library you've bought. Perhaps it’s this subtle diversion that won The Dark Side a MIPA Award at this year’s Frankfurt Musikmesse. The best word with which to describe a fair proportion of the sounds on offer is ‘creepy’. Well, they do, but there’s something else afoot. From the product title and Stygian packaging, you’d imagine deeply dour cinematic hits and sweeps to sally forth - like an ill-tempered Heavyocity or Zero-G library might produce. The result is a ~40GB collection of processed percussion, bass, guitar, keyboard, strings, ethnic instruments and more, all front-ended by a hollow-eyed, flesh-eating, space-alien, respirator-masked visage that gives you the spooks just looking at it.
Multiple processing chains, including distortion, brick-wall limiting and esoteric tube-driven gizmos, were brought to bear in pursuing the dark, the eerie and out-there. So, partnering with Grammy-winning producer and famed doyen of distortion devotees everywhere Dave Fridmann, he set about trashing the timbres of traditional instruments in order to achieve full-on sonic mayhem in a neatly organised EastWest instrument. To my ears, the tracks didn’t sound tough enough for their intended market, so I told them they needed to toughen up their sound.” Trawling the sample library market, including EastWest’s considerable catalogue, he couldn’t find the “mass aural destruction” required to finesse the band’s ditties. Says our protagonist Doug Rogers, founder of specialist sample-production powerhouse EastWest: “ The Dark Side idea came to me when I was mentoring a young alternative group about some demos they sent me. So began his journey towards The Dark Side - a product addressing a hole in a market crying out for banged-up, distorted, ouchy-sounding sonics. But not with the pristine timbres of real-world instruments - he wanted something more edgy and with a dollop of bedlam. Then and there, he avowed to fill this hole with sound. Peering into its murky depths, he neither saw nor heard a thing. Upon a time, a man named Doug saw a huge, gaping hole.
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